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7 Tips To Overcome Nervousness (aka Stage Fright / Performance Anxiety) & Become a Confident Performer

 Canadian Brass in Krákow, Poland, 2016
Canadian Brass in Krákow, Poland, 2016

Written by Chris Coletti

Professional and amateur performers alike have to deal with performance anxiety all the time.

Some claim they eventually overcome it, some never experience it, but some of the best in the business get nervous before every single performance but still perform their best.

Some get so nervous that they get violently ill before every show(!!)–but the audience never sees it. How do they do it? While everyone is different, the following 7 steps should help you on your way to becoming a more confident performer:

1. Nervousness defined.

The number one reason for getting nervous for a performance is simple: Nervousness occurs when you hold yourself to a higher standard in performance than in practice. Fortunately, this is the easiest barrier to overcome. Figure out a way to raise your standards in the practice room — recording yourself (video is best), performing often, whether in front of peers/teachers/students/audition committees — the key is to put yourself in situations where suboptimal performance is not an option, as often as possible.  

2. Think like a pro.

One of the key differences between professionals and amateurs isn’t necessarily talent, it’s that pros don’t have failure as an option. When you don’t have a choice whether to perform your best or not, your prepare differently—you prepare better.

3. Lose the ego.

Most performers psych themselves out by approaching performance situations as an opportunity to impress people. NO ONE CARES. If you’re a musician or a speaker, people do not come to your performance to be “impressed.” They come to be moved and inspired. Focus on moving others and inspiring your audience and your nerves will fade away.  Read the book The 7 Habits of Highly Effective Peopleby Stephen Covey; it will make you a more confident and competent performer by teaching how to focus on what really matters.  This book is a must-read for the serious performer. 

4. Focus on the task at hand.

Performing in public, whether as a musician or as a speaker, requires focus—you really need to be in the zone. There is no room for being self conscious, so focus on the task at hand (making music, getting your message across, etc.) and not yourself.  This relates to the previous section: nervousness is often synonymous with self-consciousnesses.  If you’re feeling self-conscious on stage it’s a good indicator that your focus is on yourself (think: EGO) and not on the impact of the performance on others (think: SHARING).  The book Performance Success: Performing Your Best Under Pressureby Don Green can teach you to get in the zone when it really counts. 

5. Be prepared.

Performances don’t always go as planned—many factors are out of your influence. Preparation, however, is the one thing you can directly control.  Showing up for a performance unprepared is one of the silliest ways to make yourself nervous as it is completely avoidable.  Keep in mind that preparation may mean more than just working on your material; mastering the delivery is a major part of any performance.  The solution?  Perform often.  In a crunch for time? Record yourself (video is best) over an over again until you’re delivery is effortless.  

6. Is it fear? Or just excitement?

Performing is thrilling.  If you don’t enjoy that excitement it might not be the career for you.  Learn to differentiate between fear: often a combination of self-consciousness and under-preparedness–vs excitement: a totally normalreaction to an abnormal situation, such performing a complex task in front of an audience.  Feel the Fear and Do it Anyway by Susan Jeffers is the classic book that has been empowering professional performers with confidence on stage for decades.

7. Quiet the Mind.

Your thoughts shouldn’t be louder than the silence in the room.  Focusing on your breathing is a very effective way to lower your heart rate and relax your spirit.  Quieting the mind so it can operate optimally in high pressure situations takes practice.  There are hundreds of meditation techniques, many thousands of years old, that train you to clear your mind at will.  Meditation, including yoga, is one of the most effective ways to master this aspect of performing, and the benefits apply off the stage as well. Eugen Herrigel’s Zen in the Art of Archery is a is one of the most effective books on focus, mastery and performance.  One of the best performer-focused yoga instructors out there is Nicole Newman, founder of Yoga for the Arts.  She’s worked with top performers ranging from members of the New York Philharmonic, to students and faculty of top schools like Juilliard and New York University.Some people find that works like  A New Earthby Eckhart Tolle can help you bring more presence to your life, transforming the increased awareness that happens during performances into energy that will no longer throw you off, but inspire the best in you.    Another amazing book on the subject of presence is You Are Here: Discovering the Magic of the Present Moment by Thich Nhat Hanh.  His work is very accessible and you will notice an improvement as soon as you crack the book open.

Books and other suggestions mentioned in this post:  

 yoga for musicians
yoga for musicians

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Comments

11 responses to “7 Tips To Overcome Nervousness (aka Stage Fright / Performance Anxiety) & Become a Confident Performer”

  1. Dave Bacon Avatar
    Dave Bacon

    Great article Chris, but could I add an idea that works very well and might actually be the most important for this problem. The broader and deeper your Fundamentals, the less you have to deal with nerves. When the Fundamentals are just rock solid and more than cover more than you are about to play, it truly affects how your mental game works out. You have no worries.Dave BaconGrand Canyon University

  2. Robert Simmonds Avatar
    Robert Simmonds

    Pure Gold Chris!A performance that moves you can change your life, one that merely impresses you is quickly forgotten. Trumpet players more than most suffer from the ego problem and everyone loses. I speak from the experience of some wasted years.

  3. Debra Skripkunis Avatar
    Debra Skripkunis

    Thanks, Chris! I have had an on again, off again battle with nervousness and I found the thing that helped me most was to play for an audience every chance I got. I’m sharing this with some of my other friends who have the same issues. Thanks, again!

  4. Roger Ringnalda Avatar
    Roger Ringnalda

    Chris, Thank you so much for the wonderful comments concerning overcoming stage fright. They were helpful, even to a 72-year-old retired band director and still-active trombone player! I especially wish to thank you for alerting me (us readers) to the http://www.KhanAcademy.org site. I spent over an hour there on my first visit and have bookmarked the site at the begining of my bookmark bar. so that I can visit often and learn/review what I have forgotten about math, science, electronics and so forth. It is so much fun to learn or relearn new things at my age I appreciate knowing about this gem of a site. beginning you for your time in education us and as always Love the Canadian Brass!!

  5. Cameron Laird Avatar
    Cameron Laird

    This is great advice. Ive read one a number of years ago which really helped me with my own performance prep. But it didnt help the ego part. I still went on stage thinking people wanted to hear someone play really well, when in-fact they just want to hear good music that moves or inspires them. Ill be sharing this on my twitter and Facebook feeds

  6. John Little Avatar
    John Little

    This is a wonderful read for young musicians! Focusing on the correct things with the right type of energy is vital!! Don Greens help saved me!

  7. Carol Cook Avatar
    Carol Cook

    Excellent article! I agree with all your steps and have read two of the books mentioned. These tips helped me when I was in my sales career and later in my team leader position. Well written Chris!

  8. This might apply for some people, good for them. But other than this there is a lot of rubbish in it. “Pros don’t have failure as an option.”? This is why so many are under influence. And that is NO fun! YES- to be prepared (this is the least to be done); and tripple YES to “Quiet your mind” but certainly not guided by boosk by Eckhart Tolle .

  9. Chris,This is a fantastic post. Points #1, 4,5, and 7 are particularly bang-on.Keep up the great work!

  10. Sam Armstrong Avatar
    Sam Armstrong

    Thank you, Chris! These are such fantastic ideas

  11. This is an excellent article for our students as they enter into audition and competition season! I am sending this to all of them! Thank you!!

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